Category Archives: People of Color

For Colored Girls…But Not Really

Now I’ll fully admit that I have watched some Tyler Perry movies in the past and even enjoyed one or two. There’s a lot to discuss about Perry most especially the way women tend to be portrayed in his work. Strong but unable to be so if they continue to be single. It’s like the law of Tyler Perry movies a female character cannot just leave her abusive/mean/dismissive/boring husband or boyfriend unless there’s another man already lined up for her to lean on. There’s also the added facet that all of these women go from “professional” men to “working class” men which adds a whole class aspect to his work. The men always marry up and the women always marry down in terms of socio-economic level. And this isn’t saying that that is not a valid story for some folks but it’s less the individual movies I have a problem with as much as the overall thematic pattern of his work. The only woman allowed to be angry and strong consistently in his work is himself dressed as Madea, which is a whole essay on its own. We could also talk about the fact that those who starred in his original plays and happen to be plus size and black never make the transition to screen unless its in the background, there’s not even talk about the originators of the roles being cast which is interesting considering the to do that’s happened around other transitions like Rent and such but again point for another time that none the less informs a lot of the things that bother me about him and his portrayal of women of color.

So I was understandably nervous when he bought the rights to Ntozake Shange’s amazing choreopoem For Colored Girls Who Have Considered Suicide/When The Rainbow Is Enuf which is an amazing work from the perspective of eight  black women only known  by the titles: Lady in Red, Lady in Orange, Lady in Yellow,…Green, …Blue, …White, …Brown and …Black. It’s one of the most moving pieces I’ve ever read period. It interrogates the perspective of black women as they fall in love, deal with abuse, raise their children, confront their secrets, work, dance and just live their lives. It’s nuanced. It’s moving. It’s smart. It’s beautiful. These are not words I really connect to Tyler Perry or his work.

The fact that originally Nzingha Stewart was supposed to direct the film before he used his connections to snatch the film from her already did not make me a fan of  him. When it was announced that he was considering Beyonce for one of the roles I was too through. Then as things started to come together in terms of the cast I had hope: Janet Jackson (who lest people forget started in acting – Good Times, Fame and Poetic Justice), Whoopi Goldberg, Thandie Newton, Anika Noni Rose, Loretta Devine, Kerry Washington, Kimberly Elise, Phylicia Rashad, Tessa Thompson and more. These are all actresses I’m a huge fan of and began to balance out the presence of Tyler Perry. I also learned that rather than writing the screenplay himself he was using the the screenplay that Nzingha Stewart wrote when she was still in charge of the film which IMDb and various sources confirm. Another point in the movies favor.

And as I was watching the trailer I actually was interested.

(WordPress would not let me embed the video of the trailer, go here to watch it.)

Until the whole video ended with this:

“Written For The Screen, Produced and Directed
By Tyler Perry”

WTF? So not only did Perry snatch the film itself from Stewart but he’s taking credit for her work. Now if it turns out that what I’ve heard and IMDB is reporting is wrong then I’ll take this back but as of now I hate Tyler Perry. What a move to make? To take a story about black women’s experiences written by  a black woman, steal it from a black female director (of which there are few enough as it is) and then take credit for her work. Methinks you actually need to read some of the original work you’re adapting:

somebody almost walked off wid alla my stuff

somebody almost walked off wid alla my stuff 
not my poems or a dance i gave up in the street
 but somebody almost walked off wid alla my stuff

like a kleptomaniac workin hard & forgettin while stealin
 this is mine/this aint yr stuff/
now why don’t you put me back & let me hang out in my own self

somebody almost walked off wit alla my stuff 
& didn’t care enuf to send a note home sayin 
i was late for my solo conversation
 or two sizes to small for my own tacky skirts

link to the entire piece

We could also have a conversation about the shortening of the name, erasing a lot of the context in terms of the lives being portrayed, but that’s a post for another time.

Quick Post! – Transcript Published

Attending WisCon this year I participated in a conversation (among mostly fans of Color) about RaceFail’09, the ramifications of that, the confluence of race and science fiction and race in general. Portions of the conversation were transcribed (with full permission asked and granted of all participants) and appear in the new international peer-reviewed journal Transformative Works and Cultures, Vol 3 (2009). Really good conversation around race and being a fan, check it out if you get the chance:
Pattern recognition: A dialogue on racism in fan communities
Second year of grad school is still kickin’ my ass but hopefully things will slow down after the next couple of weeks and I can get back to blogging more regularly.

So Close Yet So Far!

So I’m obviously not as plugged in as I thought I was because until last night I had never heard of the Emmy-winning web series Satacracy 88. Twenty-four episodes were done in ’06 and ’07 and they are all viewable on hulu. Now the pluses are complex, interesting Woman of Color protagonist, plenty of People of Color,  passes the Bechdel Test, gotta support indie art and the plot is pretty interesting and grabby.

I stayed up late last night watching the whole thing, each episode is only 3 -5 minutes and I was loving it until I reached the end. Now I’m not gonna ruin it for anyone who is going to head over and watch it but I found it anti-climactic and boring and just plain annoying.

This time though I can’t really blame the creators or the showrunners for the badness. See, Satacracy 88 comes to us via ItsAllInYourHands.Com where at the end of each episode the protagonist is left torn between two possibilities and the audience vote decides which way they go. It’s like a group census Choose You Own Adventure Book!

They have two other shows on their webpage and on but I’m too burned on how Satacracy 88 ended to put myself willingly into mob rule television again anytime soon. I would recommend people go watch it if only so I can have someone to discuss some of the possibly problematic elements I recognized. One of which was Satacracy 88’s origin story which I put under a cut so as not to spoil:

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Manifesto! 5/5 – Not The Marrying Kind – Statements…The End

I think there’s humor in the hypocrisy of a movement that fights for marriage equality while lauding a film like “Brokeback Mountain” as romantic when the core basis of the film is an extra-marital affair. But it seems being on the down’low is acceptable as long as those engaging in it are white and only betraying women. Although the theme of pretending to be something you’re not fits in quite well with the homogenizing view of the large GLBTQ organizations.

Manifesto! 4/5 – Not The Marrying Kind: Statements…(cont.2)

Previously – Not The Marrying Kind: Statements…(cont.)

I believe that the fierceness and power of the movement has been bled out by the constant focus on marriage equality as the only issue of importance perpetuated by large, wealthy, privileged groups such as GLAAD and the HRC who are looking out for themselves as opposed to the community as a whole.

Manifesto! 3/5 – Not The Marrying Kind: Statements…(cont.)

Previously – Not The Marrying Kind: Statements…

I don’t understand how fighting tooth and claw for inclusion in such a problematic power structure such as marriage is a fight for everyone’s equality. A marginalized group fighting for a bigger piece of the pie rather than the eradication of the system has never led to liberation.

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Manifesto! 2/5 – Not The Marrying Kind: Statements…

I understand that marriage is a prison, has a historical basis in silencing women and trading them like pieces of chattel and that a mere fifty years of “change” or transgressive reinterpretations can in no way wipe out a history of oppression and inequality stretching back centuries.